“There are known knowns; there are things we know we know. We also know there are known unknowns; that is to say, we know there are some things we do not know. But there are also unknown unknowns, the ones we don’t know we don’t know.”
— D. Rumsfeld, 2002
The scientific literature increases exponentially with thousands of papers added daily. As the day has only 24 hours, what this means is that every time we sit down to read a paper, we have —consciously or unconsciously— decided to neglect thousands of others which we will most likely never read, ever. Agonizing as this may sound to some, it is equally inevitable. The assurance that we feel when moving a paper to our “to-read” list can be self deceptive, however, and so it is crucial that we choose which papers to read with great care. Or rather, that we carefully decide which papers not to read. In fact, better to do this consciously than as a default consequence of the limited number of hours in the day. The art of selectively ignoring sets of facts has been called “controlled neglect” and it is a crucial tactic to cope with the vast mountain of facts that keeps growing by the day.Read more...
Music blog Live Jazz Lounge, launched January 2012, has posts featuring unreleased live jazz concerts anywhere from Buenos Aires to New York to Stockholm to London, with entries from the 1970s to the present. In addition to concert info, the site provides links to purchase albums related to the featured concerts, and the site’s header features all original photographs from live jazz concerts.
Pianist Esbjörn Svensson died suddenly, at the peak of his career, in a diving accident on June 14, 2008, 44 years of age. Here he makes a striking account of a previous close encounter with death and his personal reflections (audiofile in Swedish, Summer 2003).
“It was as if I could see straight inside her. And she had made up her mind. I knew it. It was an unmistakable feeling. I then understood that I had to speak to her. If she is going to jump, I will have to stop her. And somehow, distract her attention. Slowly, I begin to move towards her. She stays very strategically placed, exactly at the exit of the tunel as the train approaches the platform. And a bit too close to the edge. I come closer to her. Very, very carefully. Slowly. I understand that it is incredibly sensitive. I do not think very much. I feel I would just like to distract her. I come closer, maybe 10 meters away from her. I hear that the train approaches. And I hear that she hears. She makes herself ready. I come even closer. Very slowly… Now I am just 3 meters from her. Then comes the train… and the woman jumps, straight in front of it. The train buzzes. People scream. Everything stops. And I stood 3 meters from her… But I turn around and run away… It’s too much. I don’t see what happens. There, in front of my eyes, a person has taken her life, straight out into something else. Something which we don’t know anything about. And I can’t just look anymore. I run. The police is coming. People all around is in desperation. But I walk away…”Read more...
Researchers from Heinrich-Heine University in Düsseldorf, Germany, have published an intriguing study on traumatic brain injury using a dataset taken from the Asterix comic series. The report appeared in Acta Neurochir (2011) 153:1351–1355.
We learn that the goal of the study was to “analyze the epidemiology and specific risk factors of traumatic brain injury (TBI) in the Asterix illustrated comic books. Among the illustrated literature, TBI is a predominating injury pattern.” One of the major strengths of the study is that clinical data were “correlated to information regarding the trauma mechanism, the sociocultural background of victims and offenders, and the circumstances of the traumata, to identify specific risk factors.”Read more...
The Hutong restaurant in the Kowloon peninsula is one of the seven upscale outlets run by the Aqua Restaurant Group in the city of Hong Kong. On the 28th floor of One Peking Road in Tsim Sha Tsui, it offers an exquisite decor inspired in antique China alongside breathtaking views over Victoria Harbour. Traditional Northern Chinese cuisine with a contemporary twist.
Two of its classic dishes are featured here photographed with the Canon EOS 7D and EF 24mm f/1.4 L II lens using available light.
his last installment of the photo series on Tasmania is about its dramatic coastline. Here are some images taken in Tasman Peninsula, with spectacular views across to Cape Pillar, Cape Raoul, a late night shot of the famous Remarkable Cave and a view of Crescent Bay and its beautiful beach from above Mt. Brown.
The first two shots used a Galen Rowell’s Graduated Neutral Density Filter (3 stops, soft edge) from Singh Ray to tame sky highlights and balance the foreground. The Remarkable Cave shot was taken late at dusk and needed a 6 sec exposure on a tripod to get enough light and, at the same time, soften the texture of the waters coming into the cave.Read more...
Melbourne-based performing arts company “Stange Fruit” appeared at the Chinese New Year celebration in Singapore’s China Town on January 27, 2011. Perched atop 5-metre high flexible poles, the troupe bends and sways in the air at pace with intriguing bits of new-agish music. The first half of their 25 minute performance at thet heart of Singapore’s China Town is shown here, captured with the EF 24L II lens wide open on the EOS 7D.
Ok, this not jazz, as it was written several centuries before jazz was invented, but it is a truly amazing recording nevertheless. Masterly interpretation of Luys de Narvaez “Seis libros del DelphÃn†by Argentine guitarist Pablo Marquez for the ECM label. Marquez got to choose 17 of the more than 40 pieces included in the “Seys libros” compendium. Originally published in 1538, the pices were composed for the vihuela, a predecessor of the modern guitar.Here Marquez skillfully demonstrates how rewarding these pieces can be even in a modern instrument. This impecable performance preserves the intimate, introspective character of the pieces. Timeless, beautiful music of a mystical nature. Pablo Marquez was born in the northwest of Argentina in 1967. He has played with bandoneonist Dino Saluzzi, cellist Anja Lechner, the Rosamunde Quartett and the Ensemble Alma Viva.Read more...
Not unusual to encounter a great variety of marsupials in Tasmania, particularly if you find yourself in a nature park, such as the Bonorong Wildlife Sanctuary. A prime example of true Tasmanian fauna, the famous Tasmanian Devil, is not as devil-looking as one might think, here caught sniffing out the mid morning air.
A Spotted-Tail Quoll run frantically in circles around his domain. A Koala, quite a bit calmer by nature, stared flematically at some point in the distant horizon from a vantage point by his favorite tree.
And, of course, the ubiquitous kangaroo, or at least one of the many varieties of it. Here in a close-up portrait, with his own body bokehing away in the background.Read more...
Tasmania is truly a photography paradise. The Mount Field National Park offers endless opportunities with amazing greenery and breathtaking waterfalls. Here a few examples, starting with the iconic Russell Falls.
An exposure of 0.5 to 1.0 seconds, like those shown here, makes the falling water silky smooth, strengthening the sense of movement. In plain daylight, however, such exposures would clearly result in a totally blown-out image. A neutral density (ND) filter can be used to diminish the light getting into the camera and so allow longer exposures in bright natural light. The Vari-N-Duo from Singh-Ray combines a neutral density filter adjustable from 2 to 8 f/ stops and a warming/polarizer in a compact and convenient design. The desired amount of density can be dialed to achieve a proper exposure. The combined warming/polarizer reduces glare from sky, water, wet rocks, and other reflective surfaces and enhances color saturation for added drama. Polarization can be easily controlled by rotating the ring just behind the min/max ND ring. A sturdy tripod is a must, obviously.Read more...