During a visit last year at Francis Mallmann’s restaurant “Siete Fuegos” in Valle de Uco, Mendoza, Argentina, we were introduced to the private vineyards at The Vines, a 600 hectares estate were wine lovers have the possibility to own 1-10 acres of a professionally managed vineyard to make wine under the guidance expert, top rated Argentine winemakers, such as Mariana Onofri and consulting winemaker Santiago Achaval.
And so it was that earlier this year we purchased one acre of Malbec planted in 2007 at this wonderful place and began the long journey from wine lovers to wine makers. Our Wine Making Plan for 2023 includes three types of Super Premium Malbec: one barrel fermented and two fermented in steel tanks, one half matured in first use French oak barrels and the other in third use barrels. The first harvest took place this March and the blending session will be in November later this year. We look forward to taste our (still very young) wines and experiment (we’re scientists, right?) with different combinations among them and together with other varietals, such as Cabernet Franc. We wanted to make this a very personal voyage and so our label simply carries our names, IBAÑEZ – MOLINER, and the design team is helping us coming up with a label that embodies our personal esthetics and inspiration. The Wine Making Plan for 2024 is already on the way and the focus will be to widen our portfolio with one harvested rosé based on Cabernet Franc and a young and fruit-forward Malbec from our own grapes. We hope for a great harvest in March next year. More soon…Read more...
“Peace On The Chromosome”, an advanced track from forthcoming vol. 4 of Chromatographies “Acoustic Ribosomes”, is a slow, extended meditative improvisation in the style of an Indian raga. It is available for download at Chromatographies’ Bandcamp page.
I had been intrigued about baritone guitars for many years. Like most of us guitarists, I greatly admired the beautiful record that Pat Metheny had done on solo baritone acoustic guitar “One Quiet Night”, where he employed only one instrument, made to him by Linda Manzer. I got exposed to more baritones through the Chords of Orion YouTube channel and recordings, as well as Dream Guitars. DG’s owner and guitar guru Paul Heumiller is a great fan of baritones and also a strong supporter of the multiscale or fanned-fret approach to baritone guitars. Sometime in March 2021, I watched Paul Heumiller presenting a new baritone instrument built by Matthew Rice and Matthias Roux from Casimi Guitars, located right outside Cape Town, Western Cape, South Africa. This was their C5C model with African Blackwood back and sides and a moonspruce top. The guitar shape, the many unique design features and the gorgeous woods were simply stunning. I began doing some enquiries. It turned out that Heumiller had decided to keep that instrument for himself.Read more...
The five videos below were recorded during my 2022 residence at STIAS (Stellenbosch Institute For Advance Study) during the build up to the launch of the first Nobel in Africa Symposium on Physics. I was asked to share some history and fun facts about Alfred Nobel and the Nobel Prize.
Nobel in Africa is a STIAS Initiative in partnership with Stellenbosch University, under the auspices of the Nobel Foundation and the Royal Swedish Academy of Sciences with funding from the Knut & Alice Wallenberg Foundation.
Alfred Nobel died in December 10, 1896, as one of the richest men in Europe. With no descendants, he left the vast majority of his wealth to the creation of awards in Chemistry, Physics, Medicine or Physiology, Literature and Peace. He provided only one instruction for the Prizes. They should be awarded for achievements that have afforded the greatest benefit to mankind made by individuals of any nationality, creed or race. It was the first ever truly international prize of its kind lacking any boundaries. Nobel’s vision was one of a united humanity striving for knowledge, beauty and peace. Perhaps now, more than ever before, is this vision more prescient, more profound, more urgent. Nobel in Africa represents the first ever series of Nobel conferences held outside Alfred Nobel’s native land under the auspices of the Nobel Foundation. The fact that they are taking place in Africa and in STIAS is of momentous significance. There could hardly be a better way to honor Alfred Nobel’s vision and legacy.Read more...
After a 3 year wait, we have finally received our 12-string Jumbo acoustic guitar, a custom order we made in 2018 from luthier Leo Buendia, aided by the help, wisdom and guidance of Paul Heumiller, from Dream Guitars.
Inspired by the Guilds played by Ralph Towner, this instrument has Adirondack spruce top, old growth Brazilian rosewood back, sides and headplate, ebony bridge and fingerboard, and mahogany neck. It is 2-inch width at nut, and sports Gotoh tuners, golden Jester EVO frets and James May’s ultratonic pickup.
The instrument carries a number of stunning custom appointments, including an interrupted rosette made in ebony and red stained burl, a Buendia trademark. Red stained burl appointments also appear in the backstrip, back of neck and head plate, the latter shaped after Leo’s native country, Argentina.Read more...
Guitar pedalboard v4 sees the replacement of one of the first pedals I have had acquired, the JAM multi pedal (overdrive, chorus and delay). The analog nature of this pedal was a limitation in a board that is now mostly digital. The SUNSET overdrive from Strymon is in fact two pedals in one, and a hybrid of analog and digital, including MIDI control, i.e. the best of both worlds. It’s a more than worthy replacement of the TubeScreamer featured in the old JAM multi pedal.
SYNESTHESIA is to the WaterFall JAM chorus what SUNSET is to its TubeScreamer. Also a double pedal with different configurations available: cascade, parallel and L/R stereo split. It does chorus, flanger, phaser, univibe and so much more. Luckily, also MIDI capable. Analog delay DelayLlama from the JAM multipedal, will be missed. But it was not being used very much, as it began running into overhead issues (input saturated fairly quickly). It was last heard on “When God Created Peer Review”the third track of my “Chiral Centers” disk, making the spacey sounds that begin the track and provide the background throughout the piece.Read more...
“A self-fulfilling prophecy is a sociological term used to describe a prediction that causes itself to become true. The process by which a person’s expectations about something or someone can lead to that something or someone becoming or behaving in ways which confirm the expectations.”
From all the popular terms coming out of the current epidemic, surely is “new normal” the one that I abhor the most. We are currently bombarded by the constant pushing of the term “new normal” from all corners of society. Politicians, journalists and self-proccalimed “experts” all use it as some kind of brainwashing mantra. Normal is something ordinary, usual. Normal is average, it is typical, it is predictable. What we are going through today is not normal.Read more...
Prof. Eve Marder, from Brandeis University, was one of the founder editors of eLife, a scientific journal launched in 2012, one of the few journals that is still run by working scientists, as opposed to so-called “professional” editors, like most of the commercial journals.
Dr. Marder wrote recently an opinion article for the journal in which she sharply criticises the kinds of words, often derogatory, that reviewers use when judging research papers, grants and appointments.
She writes: “Over the years I have grown to truly abhor some of the words that are overused and abused when we review manuscripts, job candidates, and grant applications. In particular, I now detest five words: incremental, novelty, mechanism, descriptive, and impact. These words are codes behind which we hide, and are frequently used in lieu of actual explanations of what people think about the subject at hand.”Read more...
“Chiral Centers”, the third volume of the Chromatographies project, is now live in Bandcamp for download or streaming. The download includes a digital booklet. There are also CDs available.
Chromatographies is the jazz and ambient guitar project of Carlos Ibanez. The recordings consist of solo guitar performances that alternate improvised guitar meditations with jazz guitar pieces. All sounds and effects are made in real-time using stomp boxes.
Chiral Centers follows the structure of the first two volumes, with improvised compositions by Carlos Ibanez intermixed with renderings of pieces by Charlie Haden, John McLaughlin, Larry Coryell and Ralph Towner.Read more...
Guitar pedal evolution. We were faced with the difficult decision to take off pedals from our pedalboard to make space for new ones. Too difficult. So we didn’t. Instead… we got a second board 😉
Temple Audio Duo 17 arrived to help us host 3 new pedals we have had our sights on for quite some time. And so we reconfigured the whole signal chain. And the MIDI chain. Again. These three bad boys are the VENTRIS reverb, IRIDIUM amp modeler and HEDRA triple pitch shifter/delay.
Guitar synthesizer ENZO (yellow machine) was moved to the new (smaller) board to make space for the VENTRIS reverb from Source Audio (last row, second from right). We have wanted to have a second reverb to overlay on top of Strymon’s BIGSKY and the VENTRIS filled the bill perfectly. Two reverbs in one box, each with 14 different engines, which can be run in parallel or series. In essence, we got 2 more reverbs, for awesome ambient soundscapes. The VENTRIS is placed downstream from the BIGSKY in the signal chain.Read more...
