It took time, but our new guitar pedalboard is here! The board itself is a Trio28 from Temple Audio Design fitted with an IEC AC Mains Micro Module (left) and a 4-way Jack Patch Module (right), all from Temple Audio Design.
As far as the pedals are concerned, from upper left clock-wise:
The signal chain is as follows: MiniEGO → Mel9 → SneakAttack → TubeScreamer+ → GOO → Volume X Mini → WaterFall → DelayLlama → DIG (stereo) → BlueSky (stereo) → DittoX4 (stereo). The board is powered with a DC10 from CIOKS, fitted on the under side of the board (underneath the GOO). The AUX output of the DVP4 (loose plug in the picture above) can be connected to the EXP input of the DIG. The switcher is used to by-pass the volume pedal, allowing it to function as expression control. The stereo output of the DittoX4 goes to the 4-way Jack Patch Module (right). The right channel is connected to our trusty CUBE 80GX from Roland, while the left channel goes into our brand-new Fender Blues Junior III Woody Tequila Limited Edition. But that is the stuff of a separate post…Read more...
Another guitar effect pedal making its way into our pedal board, this is the blueSky reverberator from Strymon. To say that it’s absolutely stunning would be an understatement. Lush, gorgeous reverb that can go to infinity.
Here a small sample introducing the “mod” mode with infinite reverb morphing into Mingus’ Goodbye Pork Pie Hat and a crazy looped overdrive.
Here is our newest guitar effect pedal, the Sneak Attack from Malekko Heavy Industries.
Sneak Attack is an auto-swell volume pedal that can also be manually triggered or used in a tremolo mode. The core of the pedal is an Attack/Decay envelope generator with separate length and curve controls for both the attack and decay segments. The envelope can be triggered or cycled in several ways using the input signal, built in footswitch, Lil’ Buddy footswitch or external clock/click track.
This is unlike any effect pedal in that it does not change the sound of your guitar, but the shape of the sound form. A crazy little sound machine with huge possibilities that we will be digging deeply.Read more...
Here is our first guitar effects pedal (better late than never…) A multipedal from Jam Pedals. Custom made in Greece, assembled and painted by hand with vintage components for that true analog sound. From right to left, we have the TubeDreamer+ overdrive, the WaterFall chorus/vibrato and the delay DelayLlama+. Clean, creamy and swoshi sounds, as cool as the looks!
This is how this blog looked until yesterday. After 5 years using Atahualpa theme, we are changing look for the new TwentyFourteen theme from WordPress. A cleaner, fresher look, even in the rather basic rendering implemented here.
New feature: CD of the month, in the right-hand side column, will feature our latest purchased CD. Click on thumbnail to link to the album.
Ibanez guitar company first released the Pat Metheny PM200 model in March 2013. At the top of the Ibanez PM line (which also includes PM120 and PM20), the PM200 is a full-hollow body electric guitar featuring a mahogany set-in neck, maple top/back/sides, ebony fretboard, and a single Silent 58 humbucker neck pickup. It has been widely acclaimed for its rich tone, fantastic playability, and exceptional build quality. After the acoustic Martin D35 (1979) and the cut-away nylon Ovation #1863 (1991), it was time for us to do an update.
Here is a quick sample of the PM200 sound through Roland’s 80W CUBE in Tweed mode with a bit of rev and delay; a beautiful arrangement by John McLaughlin of jazz standard My Foolish Heart (by Victor Young): Read more...
In its first year of existence, the music blog Musica degradata has already posted over 400 entries of rare live concerts and ripped vinyls from the whole spectrum of contemporary jazz. The blog is a special treat for ECM fans, as the posts include incredible performances from many of its artists during the golden years of the label. Most of the recordings have quite decent sound quality and can be downloaded through an external site. Well worth periodic visits and a subscription to its RSS feed.
Music blog Live Jazz Lounge, launched January 2012, has posts featuring unreleased live jazz concerts anywhere from Buenos Aires to New York to Stockholm to London, with entries from the 1970s to the present. In addition to concert info, the site provides links to purchase albums related to the featured concerts, and the site’s header features all original photographs from live jazz concerts.
Pianist Esbjörn Svensson died suddenly, at the peak of his career, in a diving accident on June 14, 2008, 44 years of age. Here he makes a striking account of a previous close encounter with death and his personal reflections (audiofile in Swedish, Summer 2003).
“It was as if I could see straight inside her. And she had made up her mind. I knew it. It was an unmistakable feeling. I then understood that I had to speak to her. If she is going to jump, I will have to stop her. And somehow, distract her attention. Slowly, I begin to move towards her. She stays very strategically placed, exactly at the exit of the tunel as the train approaches the platform. And a bit too close to the edge. I come closer to her. Very, very carefully. Slowly. I understand that it is incredibly sensitive. I do not think very much. I feel I would just like to distract her. I come closer, maybe 10 meters away from her. I hear that the train approaches. And I hear that she hears. She makes herself ready. I come even closer. Very slowly… Now I am just 3 meters from her. Then comes the train… and the woman jumps, straight in front of it. The train buzzes. People scream. Everything stops. And I stood 3 meters from her… But I turn around and run away… It’s too much. I don’t see what happens. There, in front of my eyes, a person has taken her life, straight out into something else. Something which we don’t know anything about. And I can’t just look anymore. I run. The police is coming. People all around is in desperation. But I walk away…”Read more...
Ok, this not jazz, as it was written several centuries before jazz was invented, but it is a truly amazing recording nevertheless. Masterly interpretation of Luys de Narvaez â€œSeis libros del DelphÃnâ€ by Argentine guitarist Pablo Marquez for the ECM label. Marquez got to choose 17 of the more than 40 pieces included in the “Seys libros” compendium. Originally published in 1538, the pices were composed for the vihuela, a predecessor of the modern guitar.Here Marquez skillfully demonstrates how rewarding these pieces can be even in a modern instrument. This impecable performance preserves the intimate, introspective character of the pieces. Timeless, beautiful music of a mystical nature. Pablo Marquez was born in the northwest of Argentina in 1967. He has played with bandoneonist Dino Saluzzi, cellist Anja Lechner, the Rosamunde Quartett and the Ensemble Alma Viva.Read more...