Mount Kinabalu lies in the Malaysian province of Sabah in the island of Borneo. At 4,095.2 meters over sea level, its summit on Low’s Peak is believed to be the highest peak in South East Asia.
It does not require specialized skills or equipment to climb Kinabalu, as I did on May 5 this year of 2011. A good physical condition and a bit of psychological preparation will do. A guide is assigned to the climber(s) when these enter the national park. This could be avoided, I gather. My guide, a young boy from the village, was pretty useless, primarily because of his limited (or non-existing) knowledge of English. He limited himself to walk a distance behind me texting with his girlfriend on his mobile phone. It is important to climb with a light luggage and there is fine balance between having the right amount of extra cloth and carrying a really heavy backpack. After gathering some information on the web I opted for a set up that proved very good. A light water-proofed jacket is a must. Mine was from Patagonia and could be squeezed down to almost nothing. I had with me a pair of convertible trousers, two t-shirts (one long-sleeved), long under trousers, two pairs of gloves (regular sturdy gloves and liner gloves), a cotton high-neck sweater, a skiing hat and good and sturdy hiking shoes with hiking socks. I started the climb on shorts and a t-shirt. I put on my jacket when a shower came. Also important to have is a head-lamp (you’ll really need it for the final climb!). I also packed with me 6 energy bars and a bunch of nut/fruit bars as well. A half-liter (at least) bottle for water is also necessary. It can be refilled along the way. All this, plus my gripped EOS7D with the EF-S 10-22mm wide angle zoom lens found room in the 200AW slingshot from Lowepro. The set up was perfect, as I later found out.Read more...
Sungei Buloh is a wetland nature reserve in the North of Singapore, across the strait that separates the island from the South coast of the Malay peninsula. It is home to a wide variety of migratory birds like the Great Egret shown here on the mud left after a low tide. (Note the walking fish on the background!).
It was a hot and sunny day, but we spotted plenty of birds.
Follow the link HERE for more photographs from the Sungei Buloh reserve, including close-ups of Grey Heron, Yellow-billed Storks, Black-naped Oriole, Redshank, White collar King Fisher and Purple Heron. All taken with the EOS 7D and the EF 100-400L telephoto zoom.
At Saariselka, a small village of 300 inhabitants 250km above the arctic circle in the Finnish tundra, Northern Lights can be seen over 200 days per year. They could also be seen during three spectacular nights spent this past March, right after the equinox, a good time to spot this amazing phenomenon. A 5D MarkII was rented for the occassion along with the 16-35mm f/2.8 L II wide angle lens. Most of the pictures, however, came out best with the 24 f/1.4 L II , which allowed shorter shutter times and greater texture in the sky.
Northern lights at Saariselka, Finland
Northern lights at Saariselka, Finland
Northern lights at Saariselka, Finland
Exposures varied anywhere from 6 to 30 sec with ISO maxed at 800. Apperture was always maxed at whatever the lens could deliver. Tripod, cable release and mirror lock-up were used at all times.Read more...
Here are some astonishing examples of high-end Japanese cousine from the selection available at Takumi Tokyo, a fashionable restaurant of traditional Japanese ambience, elegantly decorated in Chanto style, overlooking Singapore’s Keppel Bay. The restaurant specializes in Teppanyaki (iron plate), Robatayaki (charcoal grill) and sashimi. All fresh ingredients are flown regularly from Japan; fish and sea food twice a week straight from Tokyo’s Tsukiji Market.
The photographs were taken with Canon EOS 7D and the EF 24mm f/1.4 L II lens using available light. They attempt to capture the freshness of the ingredients as well as the subtleties of composition and presentation of the dishes.Read more...
Can a good scientist be a bad writer? The answer, in my opinion, is nope. Here is the story.
The registrator office at the Karolinska Institute has recently received a request to release the full texts of several of their successful grant applications to the European Research Council (ERC) as well as the texts of their respective evaluations and referee comments. ERC grants are both generous and prestigious awards that have come symbolize the success of the European scientific elite. Under Swedish freedom of information legislation, the Karolinska Institute -which is ultimately under state jurisdiction- is obliged to release these documents, as astonishing as this may sound. (A topic that surely deserves a post of its own.) Needless to say, such a request has come down as nothing short of controversial among the scientists involved, since grant applications contain unpublished data and detailed confidential information about their future research programs. Who could have made such a preposterous request?Read more...
Polish trumpeter Tomasz Stanko visited Fasching along with his scandinavian quintet inlcuding Alexi Tuomarila on piano, Jakob Bro on guitar, Anders Christensen on bass and Olavi Louhivuori on drums. Much of the “Dark Eyes” (ECM 2115) repertoire was played with Stanko’s more introspective mood shown in his latest recordings. Soaring trumpet from Stanko solidly supported by Christensen and Louhivuori with Tuomarila and Bro adding color.
It happens once in a while that top tier international jazz groups come to Fasching. The visit of the Dave Holland Quintet was one of those precious occassions. Veteran bassist Dave Holland, of Miles Davis fame (e.g. In A Silent Way & Bitches Brew), alongside Chris Potter on saxophone, Robin Eubanks on trombon, Steve Nelson on marimba and vibraphone, and Nate Smith on drums. This quintet, albeit with different drummers, has been playing for a very long time now and recorded over half a dozen disks as quintet and as many as the core of larger ensembles. Astonishing energy, incredible playing, telepatic communication. Clearly one of the most important musical events of this year in Stockholm. Watch the videos featured at the end of this post.Read more...
Assiduous visitor of Stockholm’s Jazzklubb Fasching, Bobo Stenson appeared with his trio of ECM fame this past September. The all-Swedish trio includes Bobo Stenson on piano, Anders Jormin on bass and Jon Faltt on drums, now reportedly with their second ECM recording on the making (before Faltt, Jon Christiensen and Paul Motian sat at the drum kit of the trio). Along with the recently deceased Esbjorn Svensson, Bobo Stenson is perhaps the best internationally known Swedish jazz pianist. Less well known at home, his trio has been acclaimed abroad for many years for their beatuiful ECM recordings. In its ample repertoire, the jazz tradition intermingles with Swedish folk music, Cuban and Argentinian music and classical composers from Henry Purcell to Alban Berg.Read more...
Young Swedish pianist Mathias Landaeus got a check and flowers as recipient of one the 2010 Jazz Stipends awarded this past 21st of September at Jazzklubb Faasching, Stockholm. After a simple ceremony, the concert followed with Landaeus at the grand piano alongside veteran bass player Palle Danielsson and raising star Jon Faltt on drums. Mostly orignals from Landaeus in an intimate session which also paid tribute to several of his musical heroes, such as Thelonius Monk, and the Scandinavian folk tradition. Faltt as usual having a great time playing his percussion trickery, as can be seen in the video clip. For additional photographs of the concert, visit the the photo gallery.Read more...
Swedish pianist Lars Jansson performed with his trio at Jazzklubb Fasching, Stockholm, on September 13, 2010. Along Jansson were Christian Spering on bass and Anders Kjelberg on drums. They played both standards -such as the lovely Bill Evans tune featured on the video clip below- and originals from both Jansson and Spering. Superb technique from Jansson who still finds lots to say with tunes from the standard repertoire. The Scandinavian touch that characterizes most pianists from these latitudes is always present, at times folksy and with a pensive touch. A selection of the photographs taken during the concert (with Canon EOS 7d and the new 70-200mm f/2.8 L II lens) are available from the Photo Galleries and also HERE.Read more...
