Kicking off a new series on Black & White (B&W) photography. More accurately, these will be monochromatic renderings of digital photography files. When and how do we decide whether a photograph will look better in B&W? Is it possible to imagine a B&W composition before pressing the shutter? There are a milliard ways to render a color file into a monochromatic image. Contrast, balance, structure, grain texture. Darker reds? Lighter greens? Sepia for a vintage effect? In these series, we will use Canon files rendered in Lightroom. In most cases, the (now free) Silver Efex Pro 2 plugin from the Nik collection was applied. Part I of the B&W series is about People.
From top left:
EF 400mm f/4 DO IS II USM
EF 70-200mm f/2.8L IS II USM
EF 100-400mm f/4.5-5.6L IS II USM
EF 11-24mm f/4L USM
EF 100mm f/2.8L IS USM Macro
EF 16-35mm f/2.8L II USM
EF 24-105mm f/4L IS USM
EF 24mm f/1.4L II USM
EF 85mm f/1.2L II USM
EF 40mm f/2.8 STM “pancake”
EOS 5D Mark III w/battery grip
EOS 7D Mark II w/battery grip
Polish trumpeter Tomasz Stanko visited Fasching along with his scandinavian quintet inlcuding Alexi Tuomarila on piano, Jakob Bro on guitar, Anders Christensen on bass and Olavi Louhivuori on drums. Much of the “Dark Eyes” (ECM 2115) repertoire was played with Stanko’s more introspective mood shown in his latest recordings. Soaring trumpet from Stanko solidly supported by Christensen and Louhivuori with Tuomarila and Bro adding color.
It happens once in a while that top tier international jazz groups come to Fasching. The visit of the Dave Holland Quintet was one of those precious occassions. Veteran bassist Dave Holland, of Miles Davis fame (e.g. In A Silent Way & Bitches Brew), alongside Chris Potter on saxophone, Robin Eubanks on trombon, Steve Nelson on marimba and vibraphone, and Nate Smith on drums. This quintet, albeit with different drummers, has been playing for a very long time now and recorded over half a dozen disks as quintet and as many as the core of larger ensembles. Astonishing energy, incredible playing, telepatic communication. Clearly one of the most important musical events of this year in Stockholm. Watch the videos featured at the end of this post.
Assiduous visitor of Stockholm’s Jazzklubb Fasching, Bobo Stenson appeared with his trio of ECM fame this past September. The all-Swedish trio includes Bobo Stenson on piano, Anders Jormin on bass and Jon Faltt on drums, now reportedly with their second ECM recording on the making (before Faltt, Jon Christiensen and Paul Motian sat at the drum kit of the trio). Along with the recently deceased Esbjorn Svensson, Bobo Stenson is perhaps the best internationally known Swedish jazz pianist. Less well known at home, his trio has been acclaimed abroad for many years for their beatuiful ECM recordings. In its ample repertoire, the jazz tradition intermingles with Swedish folk music, Cuban and Argentinian music and classical composers from Henry Purcell to Alban Berg.
Young Swedish pianist Mathias Landaeus got a check and flowers as recipient of one the 2010 Jazz Stipends awarded this past 21st of September at Jazzklubb Faasching, Stockholm. After a simple ceremony, the concert followed with Landaeus at the grand piano alongside veteran bass player Palle Danielsson and raising star Jon Faltt on drums. Mostly orignals from Landaeus in an intimate session which also paid tribute to several of his musical heroes, such as Thelonius Monk, and the Scandinavian folk tradition. Faltt as usual having a great time playing his percussion trickery, as can be seen in the video clip. For additional photographs of the concert, visit the the photo gallery.
Swedish pianist Lars Jansson performed with his trio at Jazzklubb Fasching, Stockholm, on September 13, 2010. Along Jansson were Christian Spering on bass and Anders Kjelberg on drums. They played both standards -such as the lovely Bill Evans tune featured on the video clip below- and originals from both Jansson and Spering. Superb technique from Jansson who still finds lots to say with tunes from the standard repertoire. The Scandinavian touch that characterizes most pianists from these latitudes is always present, at times folksy and with a pensive touch. A selection of the photographs taken during the concert (with Canon EOS 7d and the new 70-200mm f/2.8 L II lens) are available from the Photo Galleries and also HERE.