From top left:
EF 400mm f/4 DO IS II USM
EF 70-200mm f/2.8L IS II USM
EF 100-400mm f/4.5-5.6L IS II USM
EF 11-24mm f/4L USM
EF 100mm f/2.8L IS USM Macro
EF 16-35mm f/2.8L II USM
EF 24-105mm f/4L IS USM
EF 24mm f/1.4L II USM
EF 85mm f/1.2L II USM
EF 40mm f/2.8 STM “pancake”
EOS 5D Mark III w/battery grip
EOS 7D Mark II w/battery grip
Ultra Wide Angle lenses are not for portraiture. But they can deliver excellent images documenting people and wildlife in their environment. Here a few examples using Canon’s EF-S 10-22mm, EF 24mm L f/1.4 and EF 16-35mm L f/2.8 II UWA lenses.
The NOBU restaurant in Hong Kong functions in the Intercontinental hotel and has magnificent views overlooking the harbor. Main chef Nobu Matushisa received classical training as a sushi chef in Tokyo, and lived in Peru and Argentina. One of the 25 NOBU restaurants all over the world, NOBU Hong Kong showcases Nobu’s signature dishes, as well as new creations using local ingredients with emphasis on freshness and surprise.
Here is the NOBU crew in action:
And here is one of the two dinner set menus offered by NOBU Hong Kong. Outstanding, sublime japanase delicacies from the ocean and the land, prepared in a superb cross-over, modern style. All photographs taken with the Canon EOS 5D Mark III and EF 24mm f/1.4 L II lens with available light.
The Hutong restaurant in the Kowloon peninsula is one of the seven upscale outlets run by the Aqua Restaurant Group in the city of Hong Kong. On the 28th floor of One Peking Road in Tsim Sha Tsui, it offers an exquisite decor inspired in antique China alongside breathtaking views over Victoria Harbour. Traditional Northern Chinese cuisine with a contemporary twist.
Two of its classic dishes are featured here photographed with the Canon EOS 7D and EF 24mm f/1.4 L II lens using available light.
Melbourne-based performing arts company “Stange Fruit” appeared at the Chinese New Year celebration in Singapore’s China Town on January 27, 2011. Perched atop 5-metre high flexible poles, the troupe bends and sways in the air at pace with intriguing bits of new-agish music. The first half of their 25 minute performance at thet heart of Singapore’s China Town is shown here, captured with the EF 24L II lens wide open on the EOS 7D.
At Saariselka, a small village of 300 inhabitants 250km above the arctic circle in the Finnish tundra, Northern Lights can be seen over 200 days per year. They could also be seen during three spectacular nights spent this past March, right after the equinox, a good time to spot this amazing phenomenon. A 5D MarkII was rented for the occassion along with the 16-35mm f/2.8 L II wide angle lens. Most of the pictures, however, came out best with the 24 f/1.4 L II , which allowed shorter shutter times and greater texture in the sky.
Exposures varied anywhere from 6 to 30 sec with ISO maxed at 800. Apperture was always maxed at whatever the lens could deliver. Tripod, cable release and mirror lock-up were used at all times.
During the second and third night, UV filters were removed from the lenses. The impression is that this resulted in enhanced purple colors on the sensor but no systematic tests were conducted on this. All images were taken between 11.30 PM and 12.30 AM. At some of the sites, temperatures dropped down to -25C, which made operating camera and tripod controls a bit more difficult.
Click HERE for a larger selection of the best pictures taken during the three nights.
Here are some astonishing examples of high-end Japanese cousine from the selection available at Takumi Tokyo, a fashionable restaurant of traditional Japanese ambience, elegantly decorated in Chanto style, overlooking Singapore’s Keppel Bay. The restaurant specializes in Teppanyaki (iron plate), Robatayaki (charcoal grill) and sashimi. All fresh ingredients are flown regularly from Japan; fish and sea food twice a week straight from Tokyo’s Tsukiji Market.
The photographs were taken with Canon EOS 7D and the EF 24mm f/1.4 L II lens using available light. They attempt to capture the freshness of the ingredients as well as the subtleties of composition and presentation of the dishes.
Polish trumpeter Tomasz Stanko visited Fasching along with his scandinavian quintet inlcuding Alexi Tuomarila on piano, Jakob Bro on guitar, Anders Christensen on bass and Olavi Louhivuori on drums. Much of the “Dark Eyes” (ECM 2115) repertoire was played with Stanko’s more introspective mood shown in his latest recordings. Soaring trumpet from Stanko solidly supported by Christensen and Louhivuori with Tuomarila and Bro adding color.
Assiduous visitor of Stockholm’s Jazzklubb Fasching, Bobo Stenson appeared with his trio of ECM fame this past September. The all-Swedish trio includes Bobo Stenson on piano, Anders Jormin on bass and Jon Faltt on drums, now reportedly with their second ECM recording on the making (before Faltt, Jon Christiensen and Paul Motian sat at the drum kit of the trio). Along with the recently deceased Esbjorn Svensson, Bobo Stenson is perhaps the best internationally known Swedish jazz pianist. Less well known at home, his trio has been acclaimed abroad for many years for their beatuiful ECM recordings. In its ample repertoire, the jazz tradition intermingles with Swedish folk music, Cuban and Argentinian music and classical composers from Henry Purcell to Alban Berg.