Tag Archives: Buenos Aires

HDR photo shootout at “Mercado Del Progreso”, Caballito, Buenos Aires

Adjacent to the “Primera Junta” subway station, in the corner of Rivadavia and Barco Centenera, is the “Mercado Del Progreso“, a landmark in the neighbourhood of “Caballito”, one of the most traditional “barrios” of Buenos Aires. The Mercado has been a meeting point for Caballito regulars since its opening in 1889. Today, it retains much of the original charm of its metallic structure and its iconic central ceiling window.

In the morning hours of a regular weekday, Mercado Del Progreso is one of those ideal places for a photo shootout of urban activity in the midst of a historical site.

The selection below was taken with the Canon EOS 5D MarkIII and EF 16-35mm and EF 24-105mm zoom lenses. All six are high dynamic range (HDR) images, merged from 5 different original exposures using HDR Efex Pro 2 from the Nik plugin collection. They were further processed with the Color Efex Pro 4 module to enhance structure, and the  Silver Efex Pro 2 for B&W conversion.

Luis Salinas w/Hermeto Pascoal

Argentinian guitarrist Luis Salinas and his band gave a concert at the Gran Rex theater in Buenos Aires on November 26, 2009, followed by Brazilian multi-instrumentalist and composer Hermeto Pascoal. Having taken distance from the Buenos Aires scene, Salinas was not in my radar. But I must say that I was very impressed about his musicianship, honesty and freshness. Technique does not get in the way for Salinas to convey the melodies and rhythms from his home country in an inspired jazz-folk fusion with solid support from a 5 men strong band of accomplished musicians. Not at easy with words, Salinas explained to the audience his affinities and admiration for the master Hermeto Pascoal, who appeared later in the evening with his own band including young wife Aline Morena in voice and percusssion.

Technical problems and other unknown powers conspired to make Pascoal’s appearance a disappointment to fans and newcomers to his music. Pascoal band sounded like three different groups playing different music simultaneously. At one point early in the concert, Pascoal’s keyboard broke and band kept playing while support personnel tried (in vain) to repair the defective equipment in a lengthy process that took over half hour of the concert. As the broken keyboard was carried out of the scene, Pascoal used his hoe to hit it hard as a late revenge.

Pascoal’s group did not sound coherent, despite their virtuosity. High pitched screams emanating from Morena’s throat did not help to convey the subtleties and complex polyphonic nature of Pascoal’s music. An impromptu between Salinas and Pascoal sounded like me and my high school mates getting together to jam on a late Sunday afternoon. Much of the material –drawn from Pascoal’s “Mundo Verde Esperança” (2003)– was almost unrecognizable. Having seen Pascoal live previously, I must say that this was definietly not one of his strongest performances.

Photographically speaking, I think the date was more profitable for me. We had good sits and the EOS 7D shined alongside EF 100mm 2.8 L Macro doubling as telephoto lens on this occassion. Thanks to the changing lighting, I got a very nice collection of images with different textures and colors capturing the entire conert. Some of these can be viewed under the photo gallery from the left side bar.