Pianist and composer Myra Melford appeared with her Be Bread Trio at Jazzklubb Fasching, Stockholm on March 4, 2010. The Trio is a scaled-down version of Myra Melford’s Be Bread Ensemble whose most recent release “The Whole Tree Gone” appeared in the Firehouse label this past Janurary. Along with Myra Melford in piano and harmonium, the Trio fetaured Stomu Takeishi in bass and Brandon Ross in acoustic guitar. The Trio sounds definitely more intimate than the full ensemble with an even stornger improvisational compononent. Main highlights were the delicate tones from the harmonium, dramatic solos by Stomu Takeishi, and tempered guitar harmonise by Ross. Listen to Jason Crane’s interview with Myra Melford at the Jazz Session website. View the photo gallery of the Fasching concert.
I just have to log in this one. Recorded January 27, 2010, at House of Peranakan, Pan Pacific Orchard, Singapore, with the Canon EOS 7D and the 24L II prime lens. We could just not believe what our ears where hearing. We had a great time, mostly due to the company, since the food was so so and the music was … well, this video tells the whole truth. Saying that it was “out of tune” would be a total understatement. Here it is in all its glory for the record of generations to come. Sit down on your favorite chair, and enjoy!
Argentinian guitarrist Luis Salinas and his band gave a concert at the Gran Rex theater in Buenos Aires on November 26, 2009, followed by Brazilian multi-instrumentalist and composer Hermeto Pascoal. Having taken distance from the Buenos Aires scene, Salinas was not in my radar. But I must say that I was very impressed about his musicianship, honesty and freshness. Technique does not get in the way for Salinas to convey the melodies and rhythms from his home country in an inspired jazz-folk fusion with solid support from a 5 men strong band of accomplished musicians. Not at easy with words, Salinas explained to the audience his affinities and admiration for the master Hermeto Pascoal, who appeared later in the evening with his own band including young wife Aline Morena in voice and percusssion.
A visit in November 2009 to the islands of San Cristobal, Santa Cruz and Isabela, gave us the opportunity to contemplate many of these beautiful animals in their natural habitat.
Several of the birds that live in the Galapagos are also only found there, such as the iconic Blue-Footed Booby, pictured here basking on the golden light of sunset atop black lava formations in Isabela island.
The Galapagos are a fragile ecosystem, threatened by increasing human activity as well as climate change. During recent El Niño episodes, the majority of Galapagos penguins were wipped out, rising fears that this unique species may not survive for much longer.
Marine iguanas are not an uncommon sight in the Galapagos. Here are two males having a good row at Tortuga beach in the island of Santa Cruz. By this time they had been fighting for over a couple of hours and began to look a bit tired. Not clear what the object of the fight was though. 🙂
The Munich-based record label ECM (Edition of Contemporary Music) celebrated its 40 years of existence with a star-loaded festival in Mannheim, Germany, on October 22-25, 2009. I arrived a day later, and so missed John Abercrombie’s Quartet. Nevertheless, what followed was a series of truly outstanding concerts with many of the label icons that I have worshiped for many years. Brazilian composer and multi-instrumentalist Egberto Gismonti appeared in 14-string guitar and piano in duo with his son, Alexandre, in classical guitar. A loaded evening in which the Gismonti’s touched upon most of the standards from several decades of Egeberto’s repertoire, from “Dansa das Cabecas” (1977) to “Saudacoes” (2008).
Here are two unreleased live recordings from trumpet player Paolo Fresu. D’Estate was recorded on July 1, 2007 during the Jazz Baltica Festival at Salzau, Germany, with Fresu in trumpet and Don Friedman in piano.
La Sicilia is a composition by pianist Steffano Bollani who appeared along with Fresu and Paolo Russo in bandoneon at Club Nefertiti, Gothenburg, Sweden, on December 12, 2007.
I was blown away by this trio when I saw them on the previous day at Jazzklubb Fasching in Stockholm. Both recordings come from the Swedish radio. The image (taken with the EF 70-200 L II lens on the EOS 7D) comes from Fresu’s concert along Ralp Towner at the ECM 40 Years Festival anniversary in Mannheim 2010.
Jurong Bird Park, on the west side of Singapore, harbors a huge variety of birds in a lush tropical backdrop. It is an ideal site for trying out telephoto lenses. It is possible to get really close to the birds and obtain nice portraits.
Here testing the 70-200 2.8 L IS from Canon on the EOS 40D. It was an overcast day, a perfect lighting condition to mitigate the tough midday sun of the equator. The light rain was not a problem.
A good close-up on an intriguing variety of peacock is shown here with its characteristic phlegmatic look.
A selection of images from that afternoon showing flamingos, pelicans, parrots, ostriches, birds of prey, ibises, crowned pigeons and more can be seen in the photo gallery HERE.
Geri Allen played with her quartet at the Iridium club on Time Square, New York City on the 20th of June 2009. In addition to Geri Allen on piano, her band included Ravi Coltrane on saxophone, Joe Sanders on bass and the amazing Jeff “Tain” Watts on drums.
Majestic playing from Allen, who once again demonstrated her command over harmony, melody and rhythm. Incredible energy form Watts, a veteran drummer that keeps going unabated with top players all around. Introspective playing from Sanders, not one note in excess. Ravi Coltrane raved on the sax, swinging as needed and with soaring solos that filled the club from the first note.
In December 2008, the Swedish Radio showed up at the home of Swedish pianist Bobo Stenson to record an interview and a series of solo piano improvisations at Stenson’s private studio. In the absence of available solo recordings of the acclaimed pianist, this was a very special event. The interview covered several aspects of Stenson’s musical life. Inevitably, he was asked about Keith Jarrett, and the Swedish pianist took distance -without being overt critical- from his colleague’s use (or abuse?) of ostinato techniques. Featured here, from the over 70 minutes piano recording, is the beautiful “Alfonsina y El Mar” from Argentinian composer Ariel Ramirez -now a standard piece of the Stensonian repertoire.