From top left:
EF 400mm f/4 DO IS II USM
EF 70-200mm f/2.8L IS II USM
EF 100-400mm f/4.5-5.6L IS II USM
EF 11-24mm f/4L USM
EF 100mm f/2.8L IS USM Macro
EF 16-35mm f/2.8L II USM
EF 24-105mm f/4L IS USM
EF 24mm f/1.4L II USM
EF 85mm f/1.2L II USM
EF 40mm f/2.8 STM “pancake”
EOS 5D Mark III w/battery grip
EOS 7D Mark II w/battery grip
Not in the picture:
EF 1.4x III Extender
Here is our first guitar effects pedal (better late than never…) A multipedal from Jam Pedals. Custom made in Greece, assembled and painted by hand with vintage components for that true analog sound. From right to left, we have the TubeDreamer+ overdrive, the WaterFall chorus/vibrato and the delay DelayLlama+. Clean, creamy and swoshi sounds, as cool as the looks!
Last installment of the series on Ultra Wide Angle (UWA) lenses, dedicated to panoramic compositions, perhaps one of the most common uses of UWA lenses. As in the previous examples, “filling the frame” with foreground, middle ground and background elements remains one key aspect of a successful composition. The images below were taken with Canon’s EF-S 10-22mm UWA lens on EOS 40D and EOS 7D cameras and the EF-16-35mm on the EOS 5DIII camera.
Ultra Wide Angle lenses are not for portraiture. But they can deliver excellent images documenting people and wildlife in their environment. Here a few examples using Canon’s EF-S 10-22mm, EF 24mm L f/1.4 and EF 16-35mm L f/2.8 II UWA lenses.
Adjacent to the “Primera Junta” subway station, in the corner of Rivadavia and Barco Centenera, is the “Mercado Del Progreso“, a landmark in the neighbourhood of “Caballito”, one of the most traditional “barrios” of Buenos Aires. The Mercado has been a meeting point for Caballito regulars since its opening in 1889. Today, it retains much of the original charm of its metallic structure and its iconic central ceiling window.
In the morning hours of a regular weekday, Mercado Del Progreso is one of those ideal places for a photo shootout of urban activity in the midst of a historical site.
The selection below was taken with the Canon EOS 5D MarkIII and EF 16-35mm and EF 24-105mm zoom lenses. All six are high dynamic range (HDR) images, merged from 5 different original exposures using HDR Efex Pro 2 from the Nik plugin collection. They were further processed with the Color Efex Pro 4 module to enhance structure, and the Silver Efex Pro 2 for B&W conversion.
A newly recruited staff in a research group has her first meeting with the principal investigator, a full Professor, to discuss projects and tasks to carry out in the lab. During the conversation, it becomes apparent that the so-called principal investigator is nothing more than a former clinician turned science administrator that pretends leading a research group. There are no new projects coming from the mind of this principal investigator.
“Go to PubMed and find something interesting to work on”, says the Professor.
Astonished, the newly recruited lab member becomes silent and after a few awkward minutes leaves the room, in shock.
Part III of the UWA series. Here dedicated to the effect of strong lines in the composition. The examples below have all in common the presence of strong lines guiding the eye towards a point of interest. Sometimes they are just crossing through, inviting the viewer to step inside. The images below were taken with Canon’s EF-S 10-22mm and EF 24mm L f/1.4 UWA lenses on EOS 40D, EOS 7D and EOS 5DMarkIII cameras.