Category Archives: Photography

B&W magic (part I): People

Kicking off a new series on Black & White (B&W) photography. More accurately, these will be monochromatic renderings of digital photography files. When and  how do we decide whether a photograph will look better in B&W? Is it possible to imagine a B&W composition before pressing the shutter? There are a milliard ways to render a color file into a monochromatic image. Contrast, balance, structure, grain texture. Darker reds? Lighter greens? Sepia for a vintage effect? In these series, we will use Canon files rendered in Lightroom. In most cases, the (now free) Silver Efex Pro 2 plugin from the Nik collection was applied. Part I of the B&W series is about People.

 

Meet the family

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From top left:
EF 400mm f/4 DO IS II USM
EF 70-200mm f/2.8L IS II USM
EF 100-400mm f/4.5-5.6L IS II USM
EF 11-24mm f/4L USM
EF 100mm f/2.8L IS USM Macro
EF 16-35mm f/2.8L II USM
EF 24-105mm f/4L IS USM
EF 24mm f/1.4L II USM
EF 85mm f/1.2L II USM
EF 40mm f/2.8 STM “pancake”
EOS 5D Mark III w/battery grip
EOS 7D Mark II w/battery grip

Not in the picture:
EF 1.4x III Extender

UWA magic (part V): Panorama

Last installment of the series on Ultra Wide Angle (UWA) lenses, dedicated to panoramic compositions, perhaps one of the most common uses of UWA lenses. As in the previous examples, “filling the frame” with foreground, middle ground and background elements remains one key aspect of a successful composition. The images below were taken with Canon’s EF-S 10-22mm UWA lens on EOS 40D and EOS 7D cameras and the EF-16-35mm on the EOS 5DIII camera. 

UWA magic (part IV): People and wildlife in their environment

Ultra Wide Angle lenses are not for portraiture. But they can deliver excellent images documenting people and wildlife in their environment. Here a few examples using Canon’s EF-S 10-22mm, EF 24mm L f/1.4 and EF 16-35mm L f/2.8 II UWA lenses.

HDR photo shootout at “Mercado Del Progreso”, Caballito, Buenos Aires

Adjacent to the “Primera Junta” subway station, in the corner of Rivadavia and Barco Centenera, is the “Mercado Del Progreso“, a landmark in the neighbourhood of “Caballito”, one of the most traditional “barrios” of Buenos Aires. The Mercado has been a meeting point for Caballito regulars since its opening in 1889. Today, it retains much of the original charm of its metallic structure and its iconic central ceiling window.

In the morning hours of a regular weekday, Mercado Del Progreso is one of those ideal places for a photo shootout of urban activity in the midst of a historical site.

The selection below was taken with the Canon EOS 5D MarkIII and EF 16-35mm and EF 24-105mm zoom lenses. All six are high dynamic range (HDR) images, merged from 5 different original exposures using HDR Efex Pro 2 from the Nik plugin collection. They were further processed with the Color Efex Pro 4 module to enhance structure, and the  Silver Efex Pro 2 for B&W conversion.

UWA magic (part III): Strong lines

Part III of the UWA series. Here dedicated to the effect of strong lines in the composition. The examples below have all in common the presence of strong lines guiding the eye towards a point of interest. Sometimes they are just crossing through, inviting the viewer to step inside. The images below were taken with Canon’s EF-S 10-22mm and EF 24mm L f/1.4 UWA lenses on EOS 40D,  EOS 7D and EOS 5DMarkIII cameras.

UWA magic (part II): Foreground and background

Part II of the series on Ultra Wide Angle lenses. UWA lenses will allow for lots of things to find room in the composition. The challenge then becomes to fill the frame with interesting things. To attempt the capture a vast expanse of sand, sea and sky in an open beach is one of the most common misuses of UWAs. The result will be huge white and blue surfaces with no detail and nothing for the eye to latch onto,  and with all likelihood make a dull composition. A strong UWA composition of a landscape requires striking objects in the foreground, an interesting middle ground and drama in the background (e.g. interesting skies or clouds). But there are no rules in creative photography, and breaking the accepted rules can sometimes yield an even more striking effect. All images below were taken with Canon’s EF-S10-22mm UWA lens on a EOS 7D camera. These examples illustrate how a UWA composition can be strengthened from an interplay between foreground, middleground and background elements.