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The Live Jazz Lounge: unreleased recordings of live jazz from around the world

Music blog Live Jazz Lounge, launched January 2012, already has over 35 posts featuring unreleased live jazz concerts anywhere from Buenos Aires to New York to  Stockholm to London, with entries from the 1970s to the present. At the time of this writing, over 4,500 visitors have so far been on the site. In addition to concert info, the site provides links to purchase albums related to the featured concerts, and the site’s header features all original photographs from live jazz concerts.

 

Chronicle of a death foretold: Esbjörn Svensson's premonitory reflections on death and the meaning of life


Pianist Esbjörn Svensson died suddenly, at the peak of his career, in a diving accident on June 14, 2008, 44 years of age. Here he makes a striking account of a previous close encounter with death and his personal reflections (audiofile in Swedish, Summer 2003).

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It was as if I could see straight inside her. And she had made up her mind. I knew it. It was an unmistakable feeling. I then understood that I had to speak to her. If she is going to jump, I will have to stop her. And somehow, distract her attention. Slowly, I begin to move towards her. She stays very strategically placed, exactly at the exit of the tunel as the train approaches the platform. And a bit too close to the edge. I come closer to her. Very, very carefully. Slowly. I understand that it is incredibly sensitive. I do not think very much. I feel I would just like to distract her. I come closer, maybe 10 meters away from her. I hear that the train approaches. And I hear that she hears. She makes herself ready. I come even closer. Very slowly… Now I am just 3 meters from her. Then comes the train… and the woman jumps, straight in front of it. The train buzzes. People scream. Everything stops. And I stood 3 meters from her… But I turn around and run away… It’s too much. I don’t see what happens. There, in front of my eyes, a person has taken her life, straight out into something else. Something which we don’t know anything about. And I can’t just look anymore. I run. The police is coming. People all around is in desperation. But I walk away…”

“Why do we exist? What are we doing here? And what makes some of us live with the spark of life inside us, while others lose it totally, and jump out? Jump over the border, away from life. Away from reality and, hopefully, pain. To something else totally unknown. These are for me big, incomprehensible questions. And in that moment the woman jumped, it became clear for me that there is no answer. There is no logic controlling our lives. There are no package solutions. Each and everyone of us must find the answer on our own. It doesn’t matter if one does so with the help of music, love, Jesus or drugs. There must be something that pushes us forward. And that makes us want to continue breathing…”


About death and the meaning of life:

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“What guarantee do we have that the future will come? That we will be able to experience it? We generally live in our Western society separated from death. We don’t think about it. Talk seldom about it. Suppress it preferably. But suddenly, it hits us. Close or at a distance. But almost always with astonishing power. Everything stays put. And we suddenly experience our fragility, our loneliness, our total powerlessness in front of death. It pushes us to a corner. Force us to resignate to it. Death has all the power. And we float in a complete uncertainty about the future. We know nothing. We have no guarantees. Life can finish anytime.”

“What shall we do with this terrible knowledge? How shall we act in this meaningless battle against an opponent over whom we can never win? Many take refuge in religion. Where one can find some form of guarantee in the belief of that what religion offers. If we believe in religion, whichever that may be, we get at least a belief of what is to come after death. We can also pretend that we are immortal, and do in principle whatever we want, for money, and for the life that we expect to live, then when we can afford everything that we need to live a good life. But irrespectively of belief, money or social status, we can never be sure. Suddenly, it just stands there, beside us. A quick look over the shoulder, and we instinctively know who it is.”

“What we go through, what happens to us, that’s our life. My experience is that death can teach us to see what is important… That life is now.”

Marilyn Mazur Group at Jazzklubb Fasching, March 2012


Dannish percussionist and drumer Marilyn Mazur and her group performed at the Jazzklubb Fasching in Stockholm on March 7, 2012. With Fredrik Lundin in saxophones, Krister Jonsson, guitar and Klavs Hovman, bass. Video captured on the EOS 7D with EF 70-200 2.8 L II lens.

Pablo Marquez: Musica del Delphin (Luys de Narvaez 1580)


Ok, this not jazz, as it was written several centuries before jazz was invented, but it is a truly amazing recording nevertheless. Masterly interpretation of Luys de Narvaez “Seis libros del Delphín” by Argentine guitarist Pablo Marquez for the ECM label. Marquez got to choose 17 of the more than 40 pieces included in the “Seys libros” compendium. Originally published in 1538, the pices were composed for the vihuela, a predecessor of the modern guitar.Here Marquez skillfully demonstrates how rewarding these pieces can be even in a modern instrument. This impecable performance preserves the intimate, introspective character of the pieces. Timeless, beautiful music of a mystical nature. Pablo Marquez was born in the northwest of Argentina in 1967. He has played with bandoneonist Dino Saluzzi, cellist Anja Lechner, the Rosamunde Quartett and the Ensemble Alma Viva.

Audio files of two favorites, Diferencias sobre Conde Claros (libro VI, 1) and Segundo tono (libro I, 2) appear below.

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Wonderful, unreleased recording from Jan Garbarek's


The web would sometimes seem to be infinite. Looking for something else, I recently stumbled upon the You Are What You Hear blog site. Dedicated to unreleased live jazz recordings, it contains thousands of mp3 files with previously unheard-of jewels from all corners of the jazz musical spectrum. Remarkably, the last entry in the site was made two years ago. But everything is still there: a time capsule carrying a treasure trove of music, floating in cyberspace.

The catalogue is endless, and one should make sure to download everything indispensable as soon as possible. To me, that includes this incredible recording from Norweigian saxophonist Jan Garbarek live in Kiel, Germany, the 10th of July, 1979, with his quintet from the iconic “Photo With…” ECM album featuring Bill Connors in guitar, John Taylor in piano, Eberhard Weber in bass and Jon Christensen in drums. The concert contains no less than 10 tracks and 2 hs 20 min of uninterrupted joy, all there at the YAWYH site. As the proof of the pudding is in the eating, here we have two tracks from this amazing concert. “Blue Sky”, the first track of the “Photo With…” album (15:32 min) followed by “Melting” (21:38 min), the first track of Bill Connors’ “Of Mist and Melting” ECM recording from 1977. (Also available from the Audio files sidebar.) Truly incredible stuff.

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UPDATE 2011-11-25: The YAWYH site has been taken down.