A hard-to-find, early interview with composer and guitar virtuoso Ralph Towner, rescued from the original issue of Guitar Player magazine of December 1975.
“I didn’t even know what a guitar was until I was 22… I went to a music store to buy a trumpet mute or music paper, something like that, and there was this salesman type there who sold me a classical guitar. I taught myself a little bit, and then wrote a composition for flute and guitar.“
It can be considerably frustrating to have to summarize many years of work in just 150 words, but that is what scientists often have to do at the time of writing the Abstract section of their research papers. However, a well written Abstract is crucially important, as it is the first thing (sometimes the only thing!) that readers will read, including the journal Editors that will decide about its publication. It can really be a make-it-or-break-it for the success of the article. However, many young and budding scientists often struggle with this section, usually because of an inability to distill the single most important and essential part of the discovery in a clear and simple way. Read more...
ENZO is an incredible sound machine, with four engines for mono synthesis, polyphonic synthesis, arpeggiator and a dry mode with tons of effects. With delay onboard, portamento, sustain and incredible filtering capabilities, the ENZO is an endless source of possibilities and inspiration. All reviews have ranked ENZO as the number one pedal of 2018. Here is a looped little tune that we did recently using all four ENZO machines:Read more...
Once upon a time, science journals were run by scientific societies and their editors were active scientists. Very few of these remain today. Instead, nowadays most journals are own by private, usually very large, publishing companies and their editors are “professional”. That is, their only job is to be journal editors, they are not active scientists. Most of them were active scientists earlier in their career, but left academia to become “professional” editors, usually, shortly after their postdoctoral studies. Because of this, most professional editors are much younger (no problem there) and considerably more inexperienced (hmmm… ) than the principal investigators from whom they receive manuscripts for consideration. Typically, these “youngish” editors can get advice and (one would hope) guidance from more senior editors within the same journal or publishing organization, but they are pretty much in charge of the main decisions of the manuscripts assigned to them. Read more...
NUS team develops man-made molecule that can ‘kill’ skin cancer cells
Professor Carlos Ibanez says the use of the molecule to activate the “death receptor” of melanoma skin cancer cells presents an option for a new treatment method for the remaining 45 per cent of melanoma skin cancer patients for whom current treatment fails. Photo: NUS Yong Loo Lin School Of Medicine.
Here is an update to the electric guitar pedal board that we started one and half year ago. Click on the image below to enlarge. (And go to the full post for a pic of the cable jungle underneath!).
In the top view, we can see some new additions: a Wampler EGO compressor (top right) replaces the mini EGO, and a Strymon BigSky reverb machine replaces the BlueSky. Also, the Neunaber Iconoclast speaker emulator, previously featured outside the board, is now on it (left).
There is also a some news about connectivity (arrows). Instrument inputs remain the same, with the switch that toggles between guitar #1 and #2 in between them. Above them, there are 4 outputs. Normal unbalanced outputs (left and right stereo channels) come right after the effects chain (minus Iconoclast). Below them, balanced outputs coming after the Iconoclast.Read more...
Volume 2 of the Chromatographies project is out in the Bandcamp website for download or streaming. The free download includes a digital booklet. There are also CDs available upon request.
Chromatographies is the jazz and ambient guitar project of Carlos Ibanez.
The Chromatographies project consists of solo guitar performances that alternate improvised guitar meditations with jazz guitar pieces. As in a live performance, each volume is arranged as a continuous suite with all sounds and effects made in real-time using stomp boxes.
The second volume follows the structure of the first one, with improvised compositions by Carlos Ibanez intermixed with renderings of pieces by Maurice Ravel (from an arrangement by Larry Coryell), John McLaughlin, Horace Silver and Ralph Towner.
This is Part II of the series on Black & White (B&W) photography, here showing a few images of African wildlife taken during a trip through the Londolozi Game Reserve in South Africa, in November 2015. It is really amazing how well some images of large animals in the wild lend themselves to B&W conversions, adding drama and a sense of intimacy at the same time. As before, these are all monochromatic renderings of digital photography files rendered in Lightroom applying the Silver Efex Pro 2 plugin from the Nik collection.